LETTERS FROM THE DESK

LETTERS FROM THE DESK

LETTERS FROM THE DESK

A photo of Chaiti Narula

FROM THE DESK OF THE EDITOR-IN-CHIEF | ISSUE 04

The first time I met Samir Modi, he was wearing red lipstick. He was making no statement whatsoever. He simply could not see why he should not.

CHAITI NARULA

Editor-in-Chief

Signature of CHAITI NARULA
A photo of Chaiti Narula

FROM THE DESK OF THE EDITOR-IN-CHIEF | ISSUE 04

The first time I met Samir Modi, he was wearing red lipstick. He was making no statement whatsoever. He simply could not see why he should not.

CHAITI NARULA

Editor-in-Chief

Signature of CHAITI NARULA
A photo of Chaiti Narula

FROM THE DESK OF THE EDITOR-IN-CHIEF | ISSUE 04

The first time I met Samir Modi, he was wearing red lipstick. He was making no statement whatsoever. He simply could not see why he should not.

CHAITI NARULA

Editor-in-Chief

Signature of CHAITI NARULA
A photo of Chaiti Narula

FROM THE DESK OF THE EDITOR-IN-CHIEF

Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.

CHAITI NARULA

Editor-in-Chief

Signature of CHAITI NARULA
A photo of Chaiti Narula

FROM THE DESK OF THE EDITOR-IN-CHIEF

Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.

CHAITI NARULA

Editor-in-Chief

Signature of CHAITI NARULA
A photo of Chaiti Narula

FROM THE DESK OF THE EDITOR-IN-CHIEF

Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.

CHAITI NARULA

Editor-in-Chief

Signature of CHAITI NARULA
A photo of Sia Sethi

On The Record

I have always believed that the best stories find you long before you find them.

SIA SETHI

Executive Editor-in-Chief

Signature of SIA SETHI
A photo of Sia Sethi

On The Record

I have always believed that the best stories find you long before you find them.

SIA SETHI

Executive Editor-in-Chief

Signature of SIA SETHI
A photo of Sia Sethi

Chapter Three

Issue Three is the most ambitious thing we have attempted yet, and the reason for that is simple: we decided, as an editorial team, to reestablish the true intent and meaning of fashion journalism.

SIA SETHI

Executive Editor-in-Chief

Signature of SIA SETHI
A photo of Sia Sethi

Chapter Three

Issue Three is the most ambitious thing we have attempted yet, and the reason for that is simple: we decided, as an editorial team, to reestablish the true intent and meaning of fashion journalism.

SIA SETHI

Executive Editor-in-Chief

Signature of SIA SETHI
A photo of Sia Sethi

THE FIRST WORD

I always knew I wanted to be the editor of a magazine. I just didn’t expect to be writing my first editor’s letter at twenty-one.

SIA SETHI

Executive Editor-in-Chief

Signature of SIA SETHI
A photo of Sia Sethi

THE FIRST WORD

I always knew I wanted to be the editor of a magazine. I just didn’t expect to be writing my first editor’s letter at twenty-one.

SIA SETHI

Executive Editor-in-Chief

Signature of SIA SETHI