FROM THE EDITORIAL DESK
The Restoration Issue
Every issue asks a question of its own subject, and this one is no different: what does it mean for something to return stronger, carrying its history forward rather than simply repeating it? Issue Six of French Press Global spends its pages answering that, and it feels right to open by saying so plainly.
Riya Modi
Editor-at-Large
The Restoration Issue
Every issue asks a question of its own subject, and this one is no different: what does it mean for something to return stronger, carrying its history forward rather than simply repeating it? Issue Six of French Press Global spends its pages answering that, and it feels right to open by saying so plainly.
Riya Modi
Editor-at-Large
FROM THE DESK OF THE EDITOR-IN-CHIEF | ISSUE 06
When I launched French Press Global, I imagined a magazine. What arrived is this: close to 100 guests flown in from across the country, 2 nights and 3 days at Ananta Spa & Resort, Ajabgarh, and Issue 6 unveiled in the Aravalli Hills with Aakash Ranison on the cover.
Chaiti Narula
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF | ISSUE 06
When I launched French Press Global, I imagined a magazine. What arrived is this: close to 100 guests flown in from across the country, 2 nights and 3 days at Ananta Spa & Resort, Ajabgarh, and Issue 6 unveiled in the Aravalli Hills with Aakash Ranison on the cover.
Chaiti Narula
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF | ISSUE 04
The first time I met Samir Modi, he was wearing red lipstick. He was making no statement whatsoever. He simply could not see why he should not.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF | ISSUE 04
The first time I met Samir Modi, he was wearing red lipstick. He was making no statement whatsoever. He simply could not see why he should not.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF | ISSUE 04
The first time I met Samir Modi, he was wearing red lipstick. He was making no statement whatsoever. He simply could not see why he should not.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF
Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF
Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF
Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF
Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF
Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF
Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF
Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF
Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.
CHAITI NARULA
Editor-in-Chief
FROM THE DESK OF THE EDITOR-IN-CHIEF
Some issues are accumulated. Story by story, argument by argument, until it becomes impossible to ignore what it was saying as a whole. Issue Three of French Press Global is about the structures underneath. The money, the silence, the borrowed glamour, the wars we choose to see and the ones we choose not to. Fashion is the entry point. Power is the subject.
CHAITI NARULA
Editor-in-Chief
The Long View
We believe good journalism deserves time. We believe stories deserve depth. Most importantly, we believe readers deserve better than what the algorithm is prepared to give them. Issue 4 is our latest attempt to prove it.
SIA SETHI
Executive Editor-in-Chief
The Long View
We believe good journalism deserves time. We believe stories deserve depth. Most importantly, we believe readers deserve better than what the algorithm is prepared to give them. Issue 4 is our latest attempt to prove it.
SIA SETHI
Executive Editor-in-Chief
On The Record
I have always believed that the best stories find you long before you find them.
SIA SETHI
Executive Editor-in-Chief
On The Record
I have always believed that the best stories find you long before you find them.
SIA SETHI
Executive Editor-in-Chief
Chapter Three
Issue Three is the most ambitious thing we have attempted yet, and the reason for that is simple: we decided, as an editorial team, to reestablish the true intent and meaning of fashion journalism.
SIA SETHI
Executive Editor-in-Chief
Chapter Three
Issue Three is the most ambitious thing we have attempted yet, and the reason for that is simple: we decided, as an editorial team, to reestablish the true intent and meaning of fashion journalism.
SIA SETHI
Executive Editor-in-Chief
THE FIRST WORD
I always knew I wanted to be the editor of a magazine. I just didn’t expect to be writing my first editor’s letter at twenty-one.
SIA SETHI
Executive Editor-in-Chief
THE FIRST WORD
I always knew I wanted to be the editor of a magazine. I just didn’t expect to be writing my first editor’s letter at twenty-one.
SIA SETHI
Executive Editor-in-Chief